Chapter 16
A Community of Tennessee Writers, Readers & Passersby

Bidding Artemis Farewell

After eleven years, hitting the bestseller lists with nearly every volume, Eoin Colfer brings the Artemis Fowl saga to a close

July 10, 2012 Eoin Colfer burst onto the middle-grade fantasy scene in 2001 with Artemis Fowl, a high-energy thriller starring a young criminal mastermind from an aristocratic Irish family, who kidnaps a ferocious fairy cop and holds her for ransom. Now the series comes to an end with its eighth installment, The Last Guardian. Colfer will discuss the culmination of his bestselling series on July 18 at 4 p.m. at the Nashville Public Library, as part of the Salon@615 series. The event is free and open to the public.

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“Digging the Pond”

an excerpt from Tennessee Landscape with Blighted Pine

July 9, 2012 Jesse Graves teaches writing and literature classes as an assistant professor of English at Johnson City’s East Tennessee State University, where he won a 2012 New Faculty Award from the College of Arts & Sciences. He completed a Ph.D. in English at the University of Tennessee, and an M.F.A. in creative writing from Cornell University. His first poetry collection, Tennessee Landscape with Blighted Pine, was published by Texas Review Press and won the 2011 Weatherford Award in Poetry from Berea College and the Appalachian Studies Association. Other work appears in recent or forthcoming issues of Prairie Schooner, Georgia Review, Appalachian Heritage, and Connecticut Review. Graves will read from the collection at Union Ave. Books in Knoxville on July 14 at 3 p.m.

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Sacred Harmony

Editors Wendy Reed and Jennifer Horne have collected diverse essays on faith written by Southern women

July 6, 2012 In Circling Faith: Southern Women on Spirituality, editors Wendy Reed and Jennifer Horne weave the voices of seventeen very different women into a complex meditation on spiritual beliefs and practices. Together, the essays examine what it means for a woman to question, reject, seek, find, lose, keep, live, and grow into (and out of) her faith over the course of a lifetime. As Reed and Horne explain, “With this book we are hoping to inspire conversation and encourage vulnerability, to challenge memory, to up the volume.” Three Circling Faith: Southern Women on Spirituality contributors—Marilou Awaikta, Susan Cushman, and Beth Ann Fennelly—will read from their essays and sign copies of the collection at Burke’s Book Store in Memphis on July 12 at 5 p.m.

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Tasty Reading

Chef-editor Paulette Licitra serves up Alimentum, the first literary review dedicated entirely to food

July 5, 2012 In a culture filled with so-called food porn, it’s perhaps surprising that Nashville’s Alimentum: The Literature of Food is the country’s first literary journal dedicated exclusively to themes of table, kitchen, market, and sustenance. In its pages—and in a revamped website, launching today—editor Paulette Licitra invites readers to consider food as a savory (or sweet) organizing principle, which writers can apply to themes as wide as human experience itself.

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Pushing Boundaries

In her latest novel, Sapphire revisits Precious and her family’s cycle of violence

July 3, 2012 Sapphire’s first novel, Push (on which the Oscar-winning film Precious was based), centers on an abused African-American teenager’s second pregnancy with her own father’s child. Sapphire’s second novel, The Kid, is about that kid: her second child. Sapphire will read from the book, newly released in paperback, at Parnassus Books in Nashville on July 10 at 6:30 p.m. She answered questions from Chapter 16 prior to the event.

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Messing Around with Veracity

In a book that may or may not be a long essay, and may or may not be a collection of prose poems, T Fleishmann explores the nature of personal truth

July 2, 2012 A hybrid of essay, prose poems, and art criticism, Syzygy, Beauty quietly dodges literary expectations and resists parsing. While the book chronicles a universal strain of story—the bumpy course of a complicated relationship, a love triangle—it does so through an entirely new, occasionally gorgeous script, in language that is both direct and oblique. “How to describe the indescribable might as well be the title of this blurb,” the writer Ander Monson, with whom Fleischmann has studied, writes. “[It] resists being fenced in.”

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