Stage Antics and Self-Reckoning
Lydi Conklin’s Songs of No Provenance sets empathy alongside shame, showing us how to root for every version of its protagonist.
Lydi Conklin’s Songs of No Provenance sets empathy alongside shame, showing us how to root for every version of its protagonist.
The Kingdom of the Poor, Charles Strobel’s posthumous memoir, is a story-rich portrait of his life of service to Nashville’s poor and disenfranchised. Editors Katie Seigenthaler and Amy Frogge, along with Room in the Inn executive director Rachel Hester and journalist Kay West, will discuss the book at the Tennessee State Museum in Nashville on September 14.
In My Black Country, Alice Randall outlines the inclination of Music Row institutions to discount Black writers and their insistence on erasure of Black artists, particularly women, in the genre. Randall will appear in Nashville at Parnassus Books on April 12 and at City Winery, as part of “An Evening with Black Opry,” on April 25.
Rough Sleepers, the latest book by Pulitzer Prize winner Tracy Kidder, follows Dr. Jim O’Connell, a physician who has spent his career providing care for homeless people in Boston. Tracy Kidder will appear at the 2023 Southern Festival of Books in Nashville on October 21-22.
In her new memoir Don’t Tell Anybody the Secrets I Told You, Lucinda Williams tells the backstory of her songs and her life.
A good whodunit doesn’t take itself too seriously, and Cherie Priest’s Flight Risk hits a sweet spot between Murder, She Wrote and Gone Girl.