Book Reviews

May 23, 2011 It may appear that Ashley Judd has led a charmed life. The daughter/sister of famed country duo Naomi and Wynonna Judd, she seemed to appear out of nowhere during the mid-90s, her pixie-like presence lighting up films such as Smoke, Kiss The Girls, and 2004’s De-Lovely. But there’s a dark side to her fame—and to the seemingly wholesome Judd empire itself. In All That Is Bitter & Sweet, Judd documents her lifelong battle with depression and dysfunction, and the discovery of her true calling: social activism. By recognizing herself in the lost children of Africa and Asia, Judd has emerged as one of the most recognizable faces in the international fight for both HIV prevention and gender equality.

May 19, 2011 Because atheists deny the notion of a supreme spiritual authority, they are often derided as amoral, libertine, or, in perhaps the biggest slight of all, moral relativists. In Reasonable Atheism, Vanderbilt philosophy professors Scott F. Aikin and Robert B. Talisse argue just the opposite. Though they clearly believe religion is wrong-headed, even dangerous, the authors’ goal is not to decry religious faith but to show that godlessness deserves the same respect afforded mainstream belief systems.

May 12, 2011 Progressive country music star Steve Earle’s debut novel, I’ll Never Get Out of This World Alive, is a somber tale featuring no less than the ghost of the great Hank Williams Sr. (The title is borrowed from one of Hank’s hit songs.) In this tale of addiction and redemption, released concurrently with an album of the same name, Earle almost certainly draws from the depths of his own darkest days in creating the tragic figure of Doc, a physician turned morphine addict. But one of several surprises in this accomplished first novel is the fact that it is neither a thinly disguised autobiography, nor a musician’s tale.

May 11, 2011 Michael Wallis’s new biography, David Crockett: The Lion of the West, is full of the kind of information that every Tennessean should know but has likely never learned—including, for example, the fact that Crockett was an adventurer, patriot, and politician who used his fame to oppose the policies of Tennessee’s other larger-than-life personality, Andrew Jackson. Crockett was a complex man given to strong drink and an even stronger sense of honor, and by the end of his life he was fighting for control of his own legend. So, please, don’t call him Davy.

May 10, 2011 Library shelves are heavy with testimonials to the value of literature: more recently, Harold Bloom’s The Western Canon and How to Read and Why, or, for the previous generation, the works of Northrop Frye or Charles Van Doren, to name only a few. Arnold Weinstein’s Morning, Noon, and Night deviates from the formula chiefly by steering away from pedagogical sermons and, instead, inviting its readers to examine themselves through life’s stages—growing up and growing old; innocence and experience; love and death—with a verve and generosity atypical of literary criticism. In fact, it’s almost unfair to call Morning, Noon, and Night a work of criticism; it stands more as an act of interpretive advocacy.