A Publication of Humanities Tennessee

Magic Surrealism

February 3, 2011 Philip Stephens’s debut novel, Miss Me When I’m Gone, is a brilliant quest narrative featuring two protagonists, one light and one dark, who move through a landscape where the magic realism of Gabriel Garcia Marquez operates in a setting that evokes William Faulkner and with a soundtrack that could have come straight out of Willie Nelson’s fever dreams. Stephens will read from Miss Me When I’m Gone at Borders Books in Nashville on February 5 at 2 p.m.

Saint Pioneer Feminist

January 31, 2011 Former Nashville Banner reporter Bill Briggs, now a journalist with MSNBC.com, has written a masterful page-turner, a book that serves as a testament to tenacious research, graceful prose, and a true journalist’s skeptical nature. By following the beatification of Mother Théodore, a nineteenth-century American nun, The Third Miracle: An Ordinary Man, a Medical Mystery, and a Trial of Faith uncovers the secret saint-making practices of the Catholic Church. Ultimately, of course, it is a story about the age-old conflict between faith and science. Briggs will discuss the book at the offices of McNeely Piggott & Fox, in Nashville, on February 1 at 5:30 p.m. The event is free and open to the public.

Fairy-Tale Frolic

January 25, 2011 In The Rise and Fall of Mount Majestic, Jennifer Trafton creates a delightful fairy-tale world. This beautifully illustrated novel introduces a land inhabited by very serious Leafeaters; overly hilarious Rumblebumps; a spoiled young king who loves pepper and is saved by the love of a cat; Worvil the Worrier, whose imagination paralyzes him; and especially Persimmony Smudge, an irrepressible and courageous heroine. The inhabitants call their home “The Island at the Center of Everything,” but as it turns out, it’s a sleeping giant who’s really at the center of everything. Trafton will read from and sign copies of The Rise and Fall of Mount Majestic at Cover To Cover Bookstore in Arlington on Jan. 27 at 5 p.m.

A Disturbing Sweetness

January 20, 2011 One of the most striking images in Michael Almereyda’s documentary film, William Eggleston in the Real World, also appears on the cover of the new Eggleston collection, For Now: Eggleston’s wife, Rosa, lies sleeping with a yellow-flowered duvet bunched across her middle, one slender, aristocratic hand holding the sheets in place near the pubic region. Has the couple just had sex? Rosa’s lovely long legs end in feet that appear slightly dirty; the room is small, dingy, and low-ceilinged. The gaping closet door has a pink, pocketed storage container hanging over the top, and a plastic, brown-nippled baby bottle sits on top of a staticky television. Remember when TV used to go “off the air” at night? There’s something yellow and disturbing about the portrait.

Going Native

January 18, 2011 Talismans is a series of short stories that, not unlike photos in an album, work together to tell a larger tale. Written by Sybil Baker, an English professor at the University of Tennessee in Chattanooga, these brief snapshots center on Elise, the daughter of a church organist and a Vietnam vet, whose early suburban life is a quagmire of sexual experimentation and social unease. Eventually, Elise drifts to Southeast Asia, where she searches for a connection: to her late father, her lovers, her fellow travelers, and eventually to the local culture and the land itself.

The Truth About the Feechiefolk Freak

January 11, 2011 The protagonist in Jonathan Rogers’s latest young-adult novel, The Charlatan’s Boy, is Grady, a twelve-year-old orphan who doesn’t “have any idea who I was or where I come from.” He doesn’t even have a last name. For much of his life, Grady has traveled from village to village alongside “full-bloomed scoundrel” Floyd Wendellson. Together they put on a circus-freak-show performance, with Floyd as the showman ringmaster and Grady “The Wild Man of the Feechiefen Swamp.” Dressed in “muskrat and possum hides,” his face covered in mud, Grady pretends to be one of the Feechiefolk, a mythical group of people who live in the swampy “black waters of the Feechiefen.”

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