A Publication of Humanities Tennessee

Murder She Wrote: Nashville Noir

NAL
288 pages
$22.95


“Jessica Fletcher knows that creativity must be nurtured. So when a young lady from Cabot Cove shows promise as a singer and songwriter, Jessica and a local citizens committee send Cyndi on a scholarship trip to Nashville, Tennessee, where she can benefit from professional instruction. Only weeks later, Cabot Cove is shocked to hear of the cold-blooded murder of a brash country music publisher—by the young talent Cyndi! And as Cyndi’s mother begs Jessica to help her daughter, Jess heads to the country music capital of the world to help the wayward starlet.”

—from the publisher

Murder She Wrote: Nashville Noir

Daddy Loves His Little Girl

Little Simon Inspirations
32 pages
$16.99


“John Carter Cash flies readers to magical castles by the sea as one little girl shares an adventure with her daddy by her side. The special bond between father and daughter protect them from pirates and alligators and guide them on the backs of eagles on which they return to their own home where Daddy tucks his little girl safely in her bed. Daddy reminds his little girl that however far they might roam and however high they fly, his love for his little girl will always keep them safe and strong.”

Daddy Loves His Little Girl

The Brooklyn Nine

Dial
320 pages
$16.99


Gratz builds this novel upon a clever enough conceit—nine stories (or innings), each following the successive generations in a single family, linked by baseball and Brooklyn—and executes it with polish and precision. In the opening stories, there is something Scorsese-like (albeit with the focus on players, not gangsters) in Gratz’s treatment of early New York: a fleet-footed German immigrant helps Alexander Cartwright (credited with creating modern baseball) during a massive 1845 factory fire; a young boy meets his hero, the great King Kelly, who by age thirty is a washed-up alcoholic scraping by as a vaudeville act. … [T]aken together they present a sweeping diaspora of Americana, tracking the changes in a family through the generations, in society at large for more than a century and a half, and, not least, in that quintessential American pastime.”

—Ian Chipman for Booklist (starred review)

The Brooklyn Nine

Page From a Tennessee Journal

AmazonEncore
288 pages
$19.95


“In Francine Howard’s stunning debut, Page from a Tennessee Journal, rural Tennessee of 1913 remains an unforgiving place for two couples—one black, the other white—who stumble against the rigid boundaries separating their worlds. When white farmer Alexander McNaughton falters into forbidden love with Annalaura Welles he discovers that he has much more to fear than the wrath of her returning gun-toting husband. Alexander’s wife—flinty and pragmatic Eula Mae—wages her own battle against the stoicism demanded of white women of her time and social standing. Former sharecropper John Welles, flush with cash from his year’s sojourn working the poker tables in ‘the second best colored whorehouse in all of Nashville,’ wrestles with his devils as he struggles to assign blame for his wife’s relationship with a white man. The convergence of the lives and choices of these fascinating characters—made from fear, pride, determination, spite, nobility and revenge—leads to a heart-pounding and heartbreaking climax that feels at once original, audacious and inevitable.”

—from the publisher

Page From a Tennessee Journal

Story of My Life

Grove
208 pages
$13.95


“[McInerney’s] talent for capturing the nuances and idiosyncrasies of our culture is even more powerful evident in Story of My Life … Underneath Alison’s hip, party-girl exterior and flippant vernacular is McInerney’s disturbing depiction or a young woman caught in the traumatic reality of her times.”

San Francisco Chronicle

Story of My Life

The Blind Side

Norton
352 pages
$13.95


“Lewis has made a habit of writing about sport recently, but sport is really only a subtext for a much more meaningful examination of class and race. I wept at the end, something I have not done at the end of a work of non-fiction for a very long time.”

—Malcolm Gladwell, The Observer Books of the Year 2006

The Blind Side

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