A Publication of Humanities Tennessee

Goodbye, Kind Friend

December 17, 2015 I have no idea if Tammy heard any of the things I said to her. Perhaps she can tell me someday when I see her on the other side. But this I know for sure: that waiting room was filled with people, and every single one of them belonged there. Everyone was in because Tammy had drawn them in. That is Tammy’s legacy. The legacy of belonging, the legacy of community.

Pully-Bone

December 16, 2015 Mr. Gooch didn’t have much to say about his inclinations toward matrimony, except to point out the obvious fact that he couldn’t marry both girls. When the solution to the impasse finally appeared, no one could say exactly where it had come from or who had suggested it. It was as though it had been there all along but had only revealed itself when the neighbors’ thinking had matured enough to recognize it.

Across the Alley

December 15, 2015 They were in this neighborhood before we were, and they’ll be here when we leave. Theirs is a sad and angry life. The woman’s voice itself is a caricature: coarse, booze and smoke-ravaged. She tends to shout and taunt and curse sarcastically—all her fury and misery spat out in expletives.

How I Fell for French Poetry

December 1, 2015 “After class, I sat outside on the lawn, revisited Baudelaire. Were there chemicals in my book that made me swoon––something in the paper of Les Fleurs du Mal that affected my senses? I licked a page to see if it had LSD on it. How did poetry achieve the effect of making me feel drunk?” Marilyn Kallet will discuss a new translation of Chantal Bizzini’s poems at Union Ave. Books in Knoxville on December 3, 2015, at 3 p.m.

Living for Today—or Trying To

November 20, 2015 We moved to Paris just shy of five years ago because, above all, we wanted our sons to become global citizens, to learn another language, to go to school with children from countries the world over, to see more of the world than a more conventional life in the United States would allow. But the very centrality and symbolism of Paris is what’s now making us all feel more vulnerable than we ever have.

Making Beautiful Stories

October 9, 2015 Twenty-seven years ago, if you had asked me about the best time to visit Nashville, I would have said the second weekend in October—the weekend of the Southern Festival of Books. It’s a guaranteed good time. Rain or shine. At the festival, just showing up to hear the same author is considered invitation enough to engage your seatmate in conversation. Attending the Southern Festival of Books is the closest a visitor can come to being an instant insider in Nashville, where the New South begins. If you asked me that question today, I would say the same damn thing.

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