A Publication of Humanities Tennessee

“Like Loss Big”

June 27, 2013 It’s wonderful to know that one can mean so much to so many in such a small place. Later, looking out the plane window, I think of all the little villages past the lights of Surabaya, each little school just a dot on an island just a dot on the world. So many dots, so much love to offer. Plop a Peace Corps volunteer in the dot and watch the love tumble in.

Buckled Up for a Wild Ride

June 5, 2013 Before her memoir, Full Body Burden, hit shelves, Kristen Iversen got some advice from Helen Caldicott, one of her heroes: “Buckle your seatbelt and take your vitamins,” Caldicott said. “Your life is about to change.” In an essay for Chapter 16, Iversen explains just how prescient those words turned out to be.

Another Blank Page, Another New Season

June 3, 2013 “There is in me that dark tendency to see gardening as just one more thing at which to fail—a pursuit that can only result in my coming up short in the shadow of my parents’ mastery. But I can also see it as just another form of the revision process, of creative habit, one that has much to say to writing.” Susannah Felts will read from her work on June 4, 2013, at 7 p.m. at Fat Bottom Brewery in Nashville. She will be joined by songwriter Joshua Payne. The free event is part of the East Side Storytellin’ series, which pairs writers and musicians in performance.

A Writer’s Town

“I spend a lot of time in the coffeehouses of East Nashville, where I live. “What do you do?’—the question has been posed to me countless times in idle conversation. My stock response, ‘I write,’ is invariably followed by some permutation of ‘What instruments do you play?'” Fiction writer Todd Dills considers what it means to build a literary community in a town full of songwriters. Dills will read from Triumph of the Ape on May 21, 2013, at 7 p.m. at Fat Bottom Brewery in Nashville. He will be joined by songwriter Mike Willis. This free event is part of the East Side Storytellin’ series, which pairs writers and musicians in performance.

Sleeping on Couches

January 7, 2013 In 2005, I released a record with some of Nashville’s finest musicians and a few guest singers. It was the closest thing I had to a breakthrough. There was critical acclaim, in the states and overseas, healthy airplay on college radio throughout the country, and I hit the road for some gigs that actually paid. Then I woke up one morning on another musician’s couch, and I realized I couldn’t do it. After working so hard to make something of myself, I just couldn’t spend any more time sleeping on other people’s couches.

Plantation Drive-By

December 5, 2012 “People can be incredulous, at times even critical, when I tell them that I always treated these bad actors with civility. They assume I was weak, naïve, or simply just too nice. People actually used to urge me to go into the stands at basketball games in the Deep South and accost the racist cat-callers. The reality is that I always had a specific plan of action, and it was based on a tough-minded assessment of the circumstances, as well as a respect for certain important values.” In an essay for Chapter 16, law professor Perry E. Wallace recalls the lessons he learned at Vanderbilt as the first African-American basketball player in the Southeastern Conference.

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