A Publication of Humanities Tennessee

Up Close and Personal

July 18, 2012 Chris Cleave’s second novel, Little Bee enjoyed enormous critical and popular success. A devastatingly emotional but immensely readable tale about a young Nigerian refugee and a suburban London woman whose lives are drawn together by happenstance, Little Bee became a surprise hit, largely due to word of mouth. The novel has over two million copies in print and is being developed into a film by Nicole Kidman. Now, with Gold, his sweeping new novel about an intense competition between two Olympic cyclists, Cleave is poised to repeat that success. He will discuss and sign copies of Gold on July 24 at 6:15 p.m. as part of the Salon@615 series at the Nashville Public Library. The event is free and open to the public.

Picture Perfect

July 12, 2012 Vivian Swift, the author of When Wanderers Cease to Roam (2008), abandoned her garden trowel and Adirondack chair, packed her bags, and doodled enough during her honeymoon in France to write a book about the experience. Swift’s ode to travel—and to France, too, though chiefly to travel—includes hundreds of her own watercolor illustrations, notes, and captions, which make the book feel more like an intimate collection of remembrances and a kind of quirky catalog of travel recipes than a straight memoir. “Travel is a lot like sex,” writes Swift. “It’s very personal, prone to fads, and competitive; and we’re all secretly curious how other people do it.” Swift will discuss and sign Le Road Trip at 2 p.m. July 14 at Parnassus Books in Nashville.

The Android Author

July11, 2012 Say the bag you left in your flight’s overhead bin doesn’t contain a relatively inexpensive cell phone but a one-of-a-kind robot head that replicates science-fiction writer Phillip K. Dick. It sounds like a page from one of Dick’s own novels, but it actually happened, says author David F. Dufty, whose How to Build an Android: The True Story of Phillip K. Dick’s Robotic Resurrection chronicles an attempt to bring the famously paranoid writer back to life as a robot.

Sacred Harmony

July 6, 2012 In Circling Faith: Southern Women on Spirituality, editors Wendy Reed and Jennifer Horne weave the voices of seventeen very different women into a complex meditation on spiritual beliefs and practices. Together, the essays examine what it means for a woman to question, reject, seek, find, lose, keep, live, and grow into (and out of) her faith over the course of a lifetime. As Reed and Horne explain, “With this book we are hoping to inspire conversation and encourage vulnerability, to challenge memory, to up the volume.” Three Circling Faith: Southern Women on Spirituality contributors—Marilou Awaikta, Susan Cushman, and Beth Ann Fennelly—will read from their essays and sign copies of the collection at Burke’s Book Store in Memphis on July 12 at 5 p.m.

Messing Around with Veracity

July 2, 2012 A hybrid of essay, prose poems, and art criticism, Syzygy, Beauty quietly dodges literary expectations and resists parsing. While the book chronicles a universal strain of story—the bumpy course of a complicated relationship, a love triangle—it does so through an entirely new, occasionally gorgeous script, in language that is both direct and oblique. “How to describe the indescribable might as well be the title of this blurb,” the writer Ander Monson, with whom Fleischmann has studied, writes. “[It] resists being fenced in.”

The Cost of Silence

June 25, 2012 “My childhood has been shadowed by two enormous fears: my father’s alcoholism and Rocky Flats,” writes Kristen Iversen, director of the M.F.A. program in creative writing at the University of Memphis. With honesty and dignity, Iversen explains how her increasingly troubled father and ineffectual mother created a fragile home life that depended on silence and secrets—an atmosphere not unlike that of the mismanaged and deadly dangerous nuclear-weapons facility at Rocky Flats, located near their suburban Colorado home. In Full Body Burden, Iversen illuminates the beauty of her childhood memories, but she does not flinch from uncovering the damage simultaneously inflicted upon her and her family, upon the land, and ultimately upon us all.

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