June 7, 2011 In a career that spans forty-five years and includes twenty-some books of poetry and every major poetry prize, from the Pulitzer to the National Book Award, Charles Wright has kept his thematic lens remarkably focused. A typical poem begins with the speaker in his backyard, describing the landscape or the memory of a landscape, and the resulting metaphor then ignites a philosophical meditation, often concerning theological matters. For most poets, such thematic or stylistic repetition over the course of half a century would lead to unbearably boring poems. But Wright is in a class almost alone for his ability to make fresh, wildly inventive metaphors from the stuff of the everyday, natural world.
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Charles Wright’s career has yielded a body of work that will long outlive its creator