As much as passionate readers may hate to acknowledge it, film has usurped the written word as the most popular medium for telling stories. In Life as We Show It, edited by Brian Pera (a Memphis resident) and Masha Tupitsyn, twenty-five writers examine the way films serve as our personal and collective touchstones—and shape our fundamental notions of narrative, as well.
In Amy S. Foster‘s debut novel, When Autumn Leaves, a female healer catches lightning in a bottle because the island town of Avening is a place where events defy logical explanation. The novel, like its setting, is a cozy one. The citizens of Avening, who long ago grew “to accept the bizarre anomalies as normal,” always have a warm cup of peppermint tea at the ready for a visiting neighbor or friend. This is a book about the miraculous, the magical, and the vibrantly hopeful, and its charm lingers long after the book is closed.
In a tour-de-force of popular history, America’s Prophet: Moses and the American Story, author Bruce Feiler has contributed a genuinely new idea, proposing that the ancient tale of a Hebrew prophet forms a key narrative underlying the ongoing experiment that is the United States. According to Feiler, this narrative has had a profound impact on individuals, movements, and even the founding of the republic itself. America’s Prophet is a book about the power of a story to inspire a people who are always searching for the path to freedom.
A group of earnest and thoughtful Nashville students became leaders in one of history’s most impressive—and successful—mass movements, as they threw their bodies, their very lives, on the line to end segregation in the South. The Shadows of Youth: The Remarkable Journey of the Civil Rights Generation, by Andrew B. Lewis,, is a new look at this era, examining it through the lens of the Student Non-Violent Coordinating Committee and its leaders—Diane Nash, John Lewis, Bob Moses, Stokely Carmichael, Marion Barry, Bob Zellner, and Julian Bond.
Robert Hicks dreams big. In A Separate Country, his new novel, he re-imagines in 400-plus pages the life and last days of the mythic John Bell Hood, former general of the Confederate States of America. This sort of endeavor is only natural for a man whose first novel was The New York Times bestseller The Widow of the South and who is now leader of Franklin’s Charge: A Vision and Campaign for the Preservation of Historic Open Space. Hicks has never shied from the big task, whether fighting the Herculean sprawl of Williamson County or imagining the thoughts of a legendary figure.
The subject of Madison Smartt Bell‘s Devil’s Dream is enough to send a lot of readers—even Bell’s fans—running for the exits. A hefty novel on Confederate hero Nathan Bedford Forrest may not be an alluring prospect, unless you happen to belong to the dwindling cohort of folks who go misty-eyed when they hear “The Night They Drove Old Dixie Down.” From its first paragraphs, however, Devil’s Dream defies expectations, combining meticulous research and vivid accounts of warfare with a complex character study of the South’s dubious hero. On November 20 at 7 p.m., Madison Smartt Bell will discuss Devil’s Dream at Davis-Kidd Booksellers in Nashville.
