A Publication of Humanities Tennessee

“Heartbreaking, Searing, and Lyrically Written”

December 13, 2011 “I felt a weighty responsibility to get this story right—for history, for my heritage, and for these survivors—especially the survivors,” Ruta Sepetys told Publisher’s Weekly before her debut novel was released. “Because this chapter of history remained secret, no one had ever celebrated their bravery or consoled their regrets.” As a raft of awards and stellar notices has since attested, Sepetys’s message has come through loud and clear. Chapter 16 looks back on a year of raves for Between Shades of Gray.

“A Page from Chekhov’s Playbook”

December 12, 2011 Critics like to compare Nashville novelist Adam Ross to other writers, and not to your average, everyday, ordinary writers, either. Perhaps it’s inevitable that Ross, who is the author of Mr. Peanut (Knopf, 2010) and Ladies and Gentlemen (Knopf, 2011), should inspire the loftiest comparisons, for how often does a debut novelist rack up outrageous accolades in both translation and across the entire English-speaking world, including on the front page of The New York Times Book Review, and then turn in an equally compelling performance with a short-story collection barely a year later? Chapter 16 takes a tour of Ross’s reviews this time around.

Get a (Day) Job

December 12, 2011 In a new essay for The Washington Post, physician-writer Abraham Verghese explains why it is important for a serious writer to do some other engaging work, too:

Dictated by Daemons

December 7, 2011 With his novels about both the Haitian Revolution and the Confederate anti-hero Nathan Bedford Forrest, Madison Smartt Bell made an art of writing about violence. His latest novel, The Color of Night, takes that art to a new level with its depiction of a solitary, unrepentant killer who happens to be a woman. The book provoked controversy for its subject matter and for Bell’s unusual creative process. Today Chapter 16 offers a roundup of the discussion, including Bell’s own thoughts about his work.

“Vivid, Strange, and Reveals Much about Modern Medicine”

December 6, 2011 The 1660s saw an intense scientific race between England and France, a rivalry every bit as heated and fervently nationalistic as the race to the moon that occurred between the United States and the Soviet Union three centuries later. This first scientific contest was to demonstrate an understanding of the nature of blood by performing the first successful transfusion involving a human being. The often gruesome experimentation conducted by the eccentric geniuses at the center of this quest is the subject of Blood Work: A Tale of Medicine and Murder in the Scientific Revolution by Holly Tucker. Soon after publication in March, the book was named a Scientific American Book of the Month, a History Book Club pick, and a Book of the Month Club pick—all fitting choices, as the book offers something to satisfy scientists, historians, and general readers alike. Chapter 16 takes a tour of the book’s critical reception.

“Completely in Control of His Entrancing Narrative”

December 2, 2011 The story of two performance artists, Camille and Caleb Fang, and their adult-but-dysfunctional children, Annie and Buster, Kevin Wilson’s The Family Fang is at once a family drama, a series of laugh-out-loud set pieces that parody the self-involvement of artists, a scathing indictment of the culture of celebrity, and a deeply moving examination of the ways in which our families shape (and warp) us. Critics quickly lined up behind the book, which promptly became a New York Times bestseller and ended up in the movie-making hands of Nicole Kidman. No wonder The Guardian called it “an experience, rather than a mere read.” Today Chapter 16 sums up the critical response to Kevin Wilson’s smash hit.

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