It’s painful, this loss, this growing up
I still remember the soccer fields at the edge of Nashville, off Highway 70. Way out in Bellevue by the Toys ’R Us and the Sonic and the psychic with the big white sign. We had to be there early for our games. Squinting hour, foggy hour. Can’t-finish-your-cereal hour.
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50 Books / HT50, Part 10: 2018-2022
This final installment of the 50 Book / HT 50 series features two Pulitzer Prize winners, a book about a controversial figure in the Civil Rights Movement, a richly imagined historical novel set in Nashville, and an award-winning collection of essays about the South.
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Ace Atkins creates an unforgettable detective and an intimate portrait of Memphis in Don’t Let the Devil Ride
Ace Atkins, known for his Quinn Colson novels, has crafted a classic detective tale in Don’t Let the Devil Ride, an international thriller solidly anchored in Memphis. Atkins will appear at Novel in Memphis on June 26 and in an online discussion with Chapter 16’s Michael Ray Taylor on July 16.
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Saeed Jones writes poetry of grief and survival
FROM THE CHAPTER 16 ARCHIVE: Alive at the End of the World is the latest apocalyptic collection of poetry from Memphis native Saeed Jones.
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Novelist Jill Ciment reconsiders her own story
When novelist Jill Ciment was 17, she began a relationship with her art teacher, a married man 30 years her senior. Their love affair became a marriage that lasted until her husband’s death more than four decades later. Ciment wrote about their romance in her 1996 memoir, Half a Life. In a new book, Consent, Ciment reconsiders their story. Ciment will discuss the book with Ann Patchett at Parnassus Books in Nashville on June 27.
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With absolute clarity I see the awful meaning of war
The scene of the attack is an ugly place, conjuring up a bitter taste that comes from deep down in the back of your throat, leaving a lasting sensation of utter hopelessness and despair. This landing will be difficult. I must get us down near the wounded man.
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