In three recent poetry collections by Tennessee authors, moments of internal reckoning take center stage. Katherine Smith’s Secret City, Darius Stewart’s Intimacies in Borrowed Light, and Tyler Friend’s Him or Her or Whatever all foreground highly subjective perspectives in resonant conflict with the world around them.
During the past year, Knoxville writer Charles Dodd White has seen three books published — a feat that would be a high point for any writer’s career. In a recent email exchange with Chapter 16, he discusses how this body of work came to be and contemplates the future of his writing life.
In Jamila Minnicks’ debut novel, Moonrise Over New Jessup, Alice Young takes on a new life of love and tangled loyalties in an all-Black Alabama town embroiled in the escalating fight over desegregation.
In Hillbilly Madonna, Sara Moore Wagner infuses her poems of Appalachian family trauma with deep compassion and an unusual focus on women’s experiences of addiction.
By carefully wielding dangerous points of view, Rebecca Bernard’s debut story collection, Our Sister Who Will Not Die, discovers a fascinating variety of ways to tell stories that push into risky terrain.
When Ada Calhoun undertakes the task of completing a literary biography of Frank O’Hara — a project that had stumped her art critic father decades earlier — she engages complex dynamics of familial angst and artistic ambition, which she details in Also a Poet: Frank O’Hara, My Father, and Me. Calhoun will appear at the 2022 Southern Festival of Books in Nashville on Oct. 14-16.
