When Paul Matthew Turner left his home in Virginia to attend Nashville’s Belmont University, he didn’t know what he was in for. Compared to his fundamentalist childhood, Belmont was a devil’s playground where plaid-shirted hipsters smoked clove cigarettes and listened to Amy Grant. Like a spiritual version of High Fidelity, Hear No Evil describes the way music helped Turner come to terms with this more-worldly version of the Christian faith. With a sly sense of humor and a mid-nineties soundtrack playing in his head, Turner discovers that Christianity is less a series of proscriptions than it is a way of living in a sometimes far-from-perfect world.

The first tax created by the young United States government, writes journalist Max Watman, was levied against whiskey, creating a subculture of illegal spirits that grew with the nation and continues to thrive. In Chasing the White Dog: An Amateur Outlaw’s Adventures in Moonshine, Watman comically explores the history and current practices of this (mainly Southern) subculture. In the spirit of submersion journalism, he not only researches this subject but also joins in the subculture, employing a succession of home-built stills. Despite a few missteps, both spirituous and literary, Watman ultimately serves up a palatable concoction, with a satisfying—and thoroughly illicit—burn.