Wench, a story of enslaved concubines and their white male masters, is a surefooted and engrossing work of historical fiction. While debut novelist Dolen Perkins-Valdez grounds her story in compelling nineteenth-century research, the book finds its center and momentum not in reams of facts but in one woman’s impossibly conflicted heart. Deeply interior and elegantly written, this novel reveals shades of emotional complexity in the slave-owner relationship, one often portrayed as a classic battle of good and evil, heroes and villains.

In her newest story collection, Homicide Survivors Picnic, Lorraine M. López writes, “There are some things we just can’t help.” Things like dead birds. Ex-husbands. Poor choices. Bad cats. It’s no picnic for many of her finely drawn characters to clean up the messes others have fecklessly abandoned. López, who teaches creative writing and literature at Vanderbilt University, is the recipient of numerous Latino awards for her writing, but this collection defies boundaries of skin color, ancestry, and gender, elevating mundane events and predicaments to the scope of larger human dramas.