Chapter 16
A Community of Tennessee Writers, Readers & Passersby

Biography

A. Manette Ansay was born in 1964 in Michigan and raised in Port Washington, Wisconsin, among 67 cousins and over 200 second cousins. She is the author of six novels, including Good Things I Wish You (July, 2009), Vinegar Hill, an Oprah Book Club Selection, and Midnight Champagne, a finalist for the National Book Critics Circle Award, as well as a short story collection, Read This and Tell Me What It Says, and a memoir, Limbo. Her awards include a National Endowment for the Arts Grant, a Pushcart Prize, the Nelson Algren Prize, and two Great Lakes Book Awards.

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Beyond Belles

Cathy Holton’s novel delivers another sharp look at the interior lives of aging debutantes

Four college roommates reunite some twenty years later for a beach trip where old wounds resurface, secrets are revealed, and decisions get made that will change their lives. Sound familiar? It should. This is not remotely a new plotline for so-called “women’s novels,” but Chattanooga resident Cathy Holton brings a depth, humor, and warmth to Beach Trip that make this novel more than just a beach read.

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Never Can Say Goodbye

Becca Stevens explains why hearts are meant to be broken

On the topic of grief, Becca Stevens is wise, ruthless, mystified, and tender. Story after story supports the arc of her impossibly simple message: we are never alone. Love beats death every time.

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Hot Popcorn, Cold War

Ronald Kidd’s new Young Adult novel takes kids to the movies during the red scare

The 1950s was a scary time, full of drop drills, McCarthyism, and Soviet boasts. It was also the golden age of horror movies. Aliens, mutants, zombies, and werewolves filled theater screens. Coincidence? Not in Ronald Kidd‘s The Year of the Bomb, a young-adult novel that explores the angst of growing up surrounded by real and imagined horror.

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A Tennessee Literary Lion Roars Again

After forty years, Peter Taylor’s Collected Stories remains relevant

Peter Taylor (1917-1994) is usually referred to as a writer of place; his settings are most often the lower Ohio Valley and, as he called it, “the long green hinterland that is Tennessee.” But Taylor’s themes—change, evil, and political and private morality—are universal. A new edition of The Collected Stories of Peter Taylor, first published in 1969, reminds us of the author’s position in the pantheon of American short story writers and makes a powerful argument for his continued relevance in a changing world where relationships, both to place and to people, are more complex than they seem.

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