The music industry can be murder in Michael Amos Cody’s thriller Streets of Nashville
The music industry can be a cutthroat business when it comes to recording contracts, shady promoters, and new talent desperate to make it big. It can also be murder. Ezra MacRae learns that the hard way in the new crime thriller from Michael Amos Cody, Streets of Nashville.
Lorrie Moore’s work strikes a chord
Elyzabeth Gregory Wilder talks with Chapter 16 about tonight’s world premiere of her new play, Everything That’s Beautiful
The lump of dust and ice that has fascinated humankind for millennia
Ashley N. Roth peels back the paint on the American Dream
Ways to Support the WorkChapter 16, launched in October 2009, is an online journal about books, writers, and literary events in Tennessee and serves as the state affiliate of the Center for the Book at the Library of Congress.
We cover novels set here; histories involving Tennessee events or locations; authors who live here, were born or educated here; and out-of-state writers when they give readings or participate in book signings anywhere in the state. We also publish original poems and essays by prominent Tennessee authors (including previews of their works in progress).
Your donations help us continue to engage in the stories of the past and present to build a better future for Tennesseans. Contributions help make Chapter16 possible and ensure it remains free for the community. Individual gifts, foundation grants, and corporate sponsorships help connect communities through shared stories and allow us all to build a better future for all Tennesseans.
