Chapter 16
A Community of Tennessee Writers, Readers & Passersby

"Before the Flood: A Solo From New Orleans"

Diann Blakely, the author of three poetry collections, is a graduate of both the University of the South and Vanderbilt University. She studied at New York University, Harvard, and Boston University before earning an MFA from Vermont College. While still a work in progress, Cities of Flesh and the Dead, from which this poem is excerpted, won the Poetry Society of America’s Alice Fay Di Castagnola Award.

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"17 Tomato Haiku"

John Egerton is an independent journalist and nonfiction author who lives in Nashville, Tennessee. His books include The Americanization of Dixie (1974), Generations (1983), Southern Food (1987), and Speak Now Against the Day (1994), for which he received the Robert F. Kennedy Book Award. His only work of fiction, Ali Dubyiah and the Forty Thieves, is a political satire.

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"Paternoster"

Beth Bachmann‘s first book, Temper, won the AWP Award Series 2008 Donald Hall Prize in Poetry. Her poems have appeared in American Poetry Review, Black Warrior Review, Kenyon Review, Ploughshares, Prairie Schooner, Southern Review, and Tin House, among other journals. She teaches creative writing at Vanderbilt University.

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"Packing Light"

Marilyn Kallet is the author of 14 books, which include translations, children’s books, personal essays, literary criticism, and anthologies of women’s writing. She teaches creative writing at the University of Tennessee, as well as poetry-writing workshops in Auvillar, France, for the Virginia Center for the Creative Arts.

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Voices of Stone

Poetic interpretations of a master sculptor’s work

Nashville sculptor William Edmondson believed he worked at God’s command. In a collection of poems for young readers, Elizabeth Spires gives his creations voices of their own.

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Alive and Well—in Sewanee and Elsewhere

Wyatt Prunty explains why reports of poetry’s death have been greatly exaggerated

“I am able to report that poetry is alive and well today, and that it is highly varied in technique and subject,” observes Wyatt Prunty. “I enjoy the proof of that every July here in Sewanee.”

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