The opening essay of Imani Perry’s Black in Blues sets up the book’s premise: that woven throughout the story of Black life, history, and culture, you’ll find blue — the color itself, the “blues” as an expression for melancholy, and its namesake sound, the Black-born music of heartache and hope.
My freshman English teacher was a shaggy-haired hobbit-poet in horn-rimmed glasses. Most of Bill Brown’s students towered over him, but his sheer exuberance left us gazing up at him in wonder.
FROM THE CHAPTER 16 ARCHIVE: He appeared at my threshold late one night, uninvited: Cactus Man, a ceramic figure in biker regalia, planted with a suggestive succulent. What began as a gag gift from my Ultimate Frisbee teammates grew into an outrageous ritual that, for our little tribe, came to embody the Christmas spirit.
Rogues, a new collection of Patrick Radden Keefe’s magazine features, opens a curtain to reveal secret worlds. Keefe will discuss Rogues at the 2022 Southern Festival of Books in Nashville on October 14-16.
Imani Perry’s South to America weaves history, travelogue, and memoir to argue that the U.S. South is not a place apart, but central to the American story.
Maybe part of a food writer’s job is to contribute to much-needed reckonings, whether the topic is race, food justice, climate change, workplace inequity … or genocide and disappearing cultural memory. In that sense, maybe nothing is food writing. Maybe everything is.
