Nell Irvin Painter talks with Chapter 16 about The History of White People, the relationship between sex and beauty, and the necessity of the Black Lives Matter movement
Prior to her 2015 lecture at Rhodes College, historian Nell Irvin Painter talked with Chapter 16 about how the concept of race entered human consciousness, why notions of beauty are so inextricably linked to sex, and how contemporary readers should accommodate for historical wrong-headedness.
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William Eggleston’s photographs illuminate Southern spaces in surprising ways
The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston, collects 55 of the artist’s works from the 1960s through the 1980s. Primarily everyday scenes from the South during a transitional period in the region’s history, Eggleston’s photographs make the ordinary extraordinary or even dreamlike, capturing time and place but not without significant historical allusions.
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Robert Penn Warren’s 1964 interviews with civil-rights activists get an updated look
With Free All Along: The Robert Penn Warren Civil Rights Interviews, editors Stephen Drury Smith and Catherine Ellis encourage a new community of readers to revisit the ideas and experiences of civil-rights activists and thinkers during the movement’s height.
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Karida Brown explores the way ideas of home have shaped an oft-overlooked population
In Gone Home: Race and Roots through Appalachia, Karida L. Brown recovers the remarkable story of how black Appalachians defined themselves and their home in the coal-mining towns of Kentucky during the broad middle of the twentieth century. Brown will appear at the 2018 Southern Festival of Books, held in Nashville October 12-14.
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Exploring the idea of an American national literature, Jason Richards finds a complex play of imitations
In Imitation Nation: Red, White, and Blackface in Early and Antebellum US Literature, Rhodes College professor Jason Richards brings theoretical sophistication to close readings of some well-known and not so well-known texts in American literature, showing the complexities of cultural imitation before the Civil War.
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Julia C. Duin turns up a sordid tale at the fringes of American religion
With ln the House of the Serpent Handler Julia C. Duin depicts the lives of the faithful in Appalachian serpent-handling churches, charting the tragic fall of one its leading lights.
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