Essays

May 7, 2010 As rain invaded my basement on the second day of the deluge, I struggled to open a long-stuck garage door that would (maybe, I hoped) let some of the rising water escape. For the next three hours I pushed a big broom through the surf, trying to get the tide to flow out faster than it was flowing in, and rubbing my hands sore in the process. All of this labor was absolutely futile. The sky was still spewing water like a fire hose.

May 7, 2010 People emerged in ones and twos and threes, with dogs and without, all looking pale and both shell-shocked and excited. The river now covered the ball field. A dead woodchuck floated belly-up among the bobbing plastic bottles. Canada geese swam through the debris, unperturbed.

May 7, 2010 It’s the strangest thing to watch televised images of people carrying other folks out in boats and know it’s happening only a few blocks away. I could hear the helicopter broadcasting the pictures I was seeing. Looking at the aerial shot of Bellevue, it was hard to believe anything was left of our little town. It felt wrong to be sitting there watching it, to be observing the wreckage of my neighbors’ lives.

May 7, 2010 During the months before the storm, our Leiper’s Fork neighbor Rachael McCampbell, an artist, was working in her home studio on a commission for the Parthenon in Nashville: a dozen or more large canvasses depicting the lives of women in Greek mythology. It was going to be an impressive show.