Master Class
May 10, 2011 Library shelves are heavy with testimonials to the value of literature: more recently, Harold Bloom’s The Western Canon and How to Read and Why, or, for the previous generation, the works of Northrop Frye or Charles Van Doren, to name only a few. Arnold Weinstein’s Morning, Noon, and Night deviates from the formula chiefly by steering away from pedagogical sermons and, instead, inviting its readers to examine themselves through life’s stages—growing up and growing old; innocence and experience; love and death—with a verve and generosity atypical of literary criticism. In fact, it’s almost unfair to call Morning, Noon, and Night a work of criticism; it stands more as an act of interpretive advocacy.