MTSU English professor Jid Lee remembers a Korean childhood marked by violence and despair. Urged to cultivate a warrior spirit but also to accept without question the patriarchy of her culture, Lee was trapped: “I felt I was in a tiger’s stomach. I wanted to get out.” To Kill a Tiger: A Memoir of Korea is the story of her release.
Americans across the political spectrum like to complain about the unchecked power of the Supreme Court. In The Will of the People, former Vanderbilt law professor Barry Friedman offers a meticulously researched account of the Court’s most important decisions, from Marbury v. Madison to Bush v. Gore, and reveals that the public has always had the last word.
Scientists who write are no rarity, but Alan Lightman, author of Einstein’s Dreams, is virtually unique in combining a significant career as a research scientist with an equally significant career as a writer of literary fiction. Most people experience a certain tension between their logical and affective selves, between cold rationality and a more intuitive, artistic way of interpreting the world, but the Memphis native seems to have escaped that process, giving his intellect free rein in both realms. He is credited with discoveries that have wide application in astronomy and astrophysics, and he has published a dozen books, including several collections of his essays and four bestselling, highly regarded novels.
A passionate listener and an erudite chronicler of every style from blues to punk, music critic Robert Palmer was admired by many of the artists he wrote about, and by legions of fans who followed his work in The New York Times and Rolling Stone. In Blues & Chaos, editor Anthony DeCurtis brings together a selection of articles and reviews from Palmer’s 20-plus years as the premier American music writer.
Featuring the work of longtime Nashville photographer Bob Grannis, Historic Photos of Nashville in the 50s, 60s, and 70s documents the city’s dramatic evolution from sleepy town to sprawling Sunbelt metropolis.
As much as passionate readers may hate to acknowledge it, film has usurped the written word as the most popular medium for telling stories. In Life as We Show It, edited by Brian Pera (a Memphis resident) and Masha Tupitsyn, twenty-five writers examine the way films serve as our personal and collective touchstones—and shape our fundamental notions of narrative, as well.
