Maria Browning

A passionate listener and an erudite chronicler of every style from blues to punk, music critic Robert Palmer was admired by many of the artists he wrote about, and by legions of fans who followed his work in The New York Times and Rolling Stone. In Blues & Chaos, editor Anthony DeCurtis brings together a selection of articles and reviews from Palmer’s 20-plus years as the premier American music writer.

Featuring the work of longtime Nashville photographer Bob Grannis, Historic Photos of Nashville in the 50s, 60s, and 70s documents the city’s dramatic evolution from sleepy town to sprawling Sunbelt metropolis.

As much as passionate readers may hate to acknowledge it, film has usurped the written word as the most popular medium for telling stories. In Life as We Show It, edited by Brian Pera (a Memphis resident) and Masha Tupitsyn, twenty-five writers examine the way films serve as our personal and collective touchstones—and shape our fundamental notions of narrative, as well.

D’Army Bailey has embraced many roles in public life. He’s been an activist, a politician, and a distinguished jurist, serving on the Circuit Court bench in Memphis since 1990. He was instrumental in the founding of the National Civil Rights Museum, and he’s also done a few turns as an actor, appearing in films like How Stella Got Her Groove Back and The People v. Larry Flynt. No doubt he has many stories to tell, but in The Education of a Black Radical: A Southern Civil Rights Activist’s Journey 1959-1964, he confines his memoir to one narrow segment of history: his college years, when he evolved from a very bright, conventional young man to a civil-rights firebrand who was expelled from his all-black school for leading student protests.