Chapter 16
A Community of Tennessee Writers, Readers & Passersby

“The Bridge”

Book Excerpt: Hidden Nature: Wild Southern Caves

Michael Ray Taylor’s Hidden Nature: Wild Southern Caves, a mixture of memoir and subterranean natural history, will be published in August 2020. He chairs the communication and theatre arts department at Henderson State University in Arkadelphia, Arkansas.

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A Heroine for Our Times

A determined girl saves lives in war-torn Poland

Sharon Cameron’s The Light in Hidden Places is a novelization of the true lifesaving deeds of Stefania Podgórska, who hid 13 Jews in a small attic during the Nazi occupation of Poland.

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The AIDS Years

In Carter Sickels’ The Prettiest Star, set in 1986, a young AIDS patient encounters bigotry when he returns to his hometown in Ohio

Set in 1986 during the height of the AIDS epidemic, Carter Sickels’ The Prettiest Star depicts a sick young man returning to his hometown in rural Ohio and confronting ignorance and prejudice, the worst of it coming from his own family.

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Death Is the Mother of Beauty

Poet Andrew McFadyen-Ketchum talks with Chapter 16 about grief, memory, and healing

Nashville poet Andrew McFadyen-Ketchum’s second collection, Visiting Hours, is an invitation to join him in communing with and grieving for the spirit of his longtime friend Mary Interlandi, who took her life in 2003. It is at once sweeping and focused, grand and intimate.

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“Forsythia in February”

Book Excerpt: Visiting Hours

Andrew McFadyen-Ketchum, a Nashville native, is the author of Ghost Gear and editor of Apocalypse Now: Poems & Prose from the End of Days. He’s the acquisitions editor for Upper Rubber Boot Books and the founder and editor of PoemoftheWeek.com and the Floodgate Poetry Series.

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Paths of Resistance

Multimedia artist Jessica Ingram explores the South’s racist history in Road Through Midnight

Multimedia artist Jessica Ingram, who grew up in Nashville, commemorates acts of resistance to segregation and white supremacist terror in Road Through Midnight. The book includes her photographs of sites scarred by racial violence, as well as interviews with victims’ families and journalists who covered the crimes.

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