Essays

In our play, Jim and I coexist in a landscape of our own discovery with an atmosphere of richer oxygen. The world opens up in a new way, more becomes possible, there is a new kind of magic and an altered reality.

In those days I wanted to become a novelist, but Mr. Dickey, author of a bestselling novel and wildly successful screenplay, taught only poetry, which he called in one of his book titles “the central motion.” So poetry it was.

I used to think about the longevity of gifts. What could be given that would be cherished for more than a handful of days or a couple of weeks? Finally, after I had a few years of teaching behind me, I figured it out: stories. Stories do not fade.

It’s been more than 10 years since I took those tentative and unwitting steps toward a part-time career as a “professional writer,” a label I never would have dared apply to myself until Margaret Renkl gave me permission.

“I can certainly use these for Poetry Month,” I’ll say to no one in particular, as if strangers might look askance at a person buying five books of poetry but not at a woman talking to herself.