Nonfiction

“MOTIF v2: COME WHAT MAY (an anthology of writings about CHANCE) is the second book in the MOTIF anthology series from publisher MotesBooks. Each piece in this collection uses CHANCE as a theme in works of fiction, nonfiction, poetry, and song lyrics. Contributors include Joseph Bathanti, Cathy Smith Bowers, Barbara Crooker, Randall Horton, Silas House, Marilyn Kallet, George Ella Lyon, Karen Salyer McElmurray, Michael McFee, Alan McMonagle, Jim Minick, Noel Smith, Frank X Walker and Dana Wildsmith. Reviewer Janice Eidus says: ‘With remarkable insight and intelligence, 136 talented writers across a broad spectrum of geography, generations and genres delve deeply into the meaning and nature of synchronicity, coincidence, luck, fate, bashert and kismet – and the very enigma of human existence.’ From reviewer Neela Vaswani: ‘Here are brief encounters that sprout generations; split seconds of ruin; sudden migrations, lust, and strife. These pieces remind us to cling to life’s lessons with grace and humor.’”

“In the late nineteenth century, black musicians in the lower Mississippi Valley, chafing under the social, legal, and economic restrictions of Jim Crow, responded with a new musical form–the blues. In Jim Crow’s Counterculture, R. A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century.”

“Those familiar with the film The Blind Side, or Michael Lewis’s best-selling book, will likely already know the inspiring story of how the Tuohys took future-NFL star Michael Oher into their home and adopted him. For anyone wondering what more there might be to say about it, the answer is: plenty. In a Heartbeat finds the Tuohys attempting to determine what it was that made them reach out to the homeless African-American boy they saw walking down the street in a t-shirt and shorts on a winter’s day. Leigh Anne and Sean had known tough times themselves and had put themselves on the lookout for troubled kids in need of help. As a white, southern, church-going family, they defy red-state/blue-state stereotypes (for instance, by sending their teen-age daughter to a seminar fostering racial and social justice); though Leigh Anne has been described as a ‘gun-toting Republican Christian,’ and admits to carrying weapons, she also claims to cross ‘party lines all the time.’ With Jenkins’s help they write with humor about their quirks and the joy that Michael brought to their family, finally arriving at the belief that ‘we can all change people’s lives by investing time in individuals.’”

“This humorous book filled with cartoons describes how the MoonPie affects all aspects of life, such as courtship, childrearing, construction, television, magazines, and movies. It explains MoonPie etiquette and how the treat should be used on social occasions, such as birthdays and anniversaries. Also included are the history, vast folklore, and ‘noble’ traditions associated with this great American institution.”

“Tennessee is famous for more than just Elvis Presley, Davy Crockett, and Jack Daniel’s. The Volunteer State is also home to enough ghosts, haunts, and spirits to make your skin crawl. Christopher K. Coleman’s Ghosts and Haunts of Tennessee is a new collection of 28 tales of the supernatural. This compilation explores never-before-published legends that span the entire state, from the mysterious mountains of Appalachia to the haunted banks of the Mississippi River. Those familiar with Tennessee’s most famous apparitions will find new thrills in Ghosts and Haunts of Tennessee. Readers may have heard of the Bell Witch, but what of her sister, a vengeful spirit known to the folks on the eastern part of the Highland Rim as the Buckner Witch? This new compilation of authentic folklore offers a fresh look at things that go bump in the night in the Volunteer State.”