Nonfiction

January 20, 2011 One of the most striking images in Michael Almereyda’s documentary film, William Eggleston in the Real World, also appears on the cover of the new Eggleston collection, For Now: Eggleston’s wife, Rosa, lies sleeping with a yellow-flowered duvet bunched across her middle, one slender, aristocratic hand holding the sheets in place near the pubic region. Has the couple just had sex? Rosa’s lovely long legs end in feet that appear slightly dirty; the room is small, dingy, and low-ceilinged. The gaping closet door has a pink, pocketed storage container hanging over the top, and a plastic, brown-nippled baby bottle sits on top of a staticky television. Remember when TV used to go “off the air” at night? There’s something yellow and disturbing about the portrait.

January 6, 2011 For every Scorsese and Coppola and Spielberg, for every DeMille and Capra and Hitchcock, there’s a little-celebrated figure known as the production designer—the man or woman “behind the curtain,” to borrow a famous phrase from the beloved film The Wizard of Oz. These artists are as pivotal to engineering movie magic as the directors and film actors who have become brands unto themselves, yet their names are rarely known by filmgoers. In a comprehensive new book, Designs on Film: A Century of Hollywood Art Direction, Cathy Whitlock honors their work and details the highlights of their contributions to a century of American moviemaking, from the early silent films right up to the latest blockbusters.

January 5, 2011 When Bobby Hoppe pulled the trigger, was it a premeditated act of murder or a split-second reaction in self defense? In 1957, nobody knew but Bobby Hoppe himself, and nobody else really wanted to know: Bobby was a Chattanooga football hero. In 1988, new evidence and an aggressive new investigator reopened the cold case. A Matter of Conscience is Sherry Lee Hoppe’s memoir about her husband’s long-hidden anguish—and about the trauma of exposure.