Chapter 16
A Community of Tennessee Writers, Readers & Passersby

Loving Country

Willie, Waylon, and the Boys tells the stories of Nashville’s quintessential outsiders

The music scene in Nashville is tricky and hard to describe until you figure out how obsessed the city is with the relationship between conformity and rebellion. Brian Fairbanks provides plenty of detail about the full-cylinder lives of country music iconoclasts Johnny Cash, Kris Kristofferson, Willie Nelson, and Waylon Jennings in Willie, Waylon, and the Boys: How Nashville Outsiders Changed Country Music Forever.

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Perils and Prospects

From Rights to Lives surveys the evolution of racial justice movements

From Rights to Lives: The Evolution of the Black Freedom Struggle, a new anthology edited by historians Françoise N. Hamlin and Charles W. McKinney Jr., gives academics and lay people alike fresh ways to consider the Civil Rights Movement and Black Lives Matter.

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A Southern Story

Andrew Ross reconstructs the history of one Shelby County plantation from multiple perspectives

In The Realms of Oblivion, Andrew Ross tells the history of the 19th-century South through the experience of the Davies family and the Black people who worked their land in both slavery and freedom.

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“Haunting My Own Name”

Julian Randall’s lyrical memoir uncovers the past to light a brighter future

Comprised of braided essays which use key pop-culture moments to weave together stories of triumph and personal exploration, Julian Randall’s The Dead Don’t Need Reminding unearths grief and deeply rooted family histories.

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Arcs of Hope and Tragedy

Frye Gaillard delivers a sprawling, panoramic history of the 1960s

FROM THE CHAPTER 16 ARCHIVE: Frye Gaillard’s A Hard Rain pulls the reader into the 1960s, not just to witness its momentous events, but to feel its idealism and disenchantment. First published in 2018, A Hard Rain has recently been released in paperback and as an audiobook.

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Making Country, Country

Alice Randall’s My Black Country embraces and explores Black eccentricity in country music

In My Black Country, Alice Randall outlines the inclination of Music Row institutions to discount Black writers and their insistence on erasure of Black artists, particularly women, in the genre. Randall will appear in Nashville at Parnassus Books on April 12 and at City Winery, as part of “An Evening with Black Opry,” on April 25. 

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