By turns plaintive and exhilarating, Silas House’s All These Ghosts conjures an attentive, nuanced reckoning with what it means to call a place our home ground. House will discuss All These Ghosts at the Southern Festival of Books in Nashville, October 18-19.
Silas House’s apocalyptic novel Lark Ascending is truly harrowing, yet even more deeply affecting and tender. House will appear at the 2022 Southern Festival of Books in Nashville on October 14-16 and at Union Ave. Books in Knoxville on November 12.
The essays in Silas House: Exploring an Appalachian Writer’s Work reflect the high degree of respect and adoration that House has gained among his peers for his novels, music journalism, and plays, as well as his activism. Editor Sylvia Bailey Shurbutt gathers a thoughtful group of Appalachian scholars and literary writers to analyze House’s body of work.
In Silas House’s Southernmost, Asher Sharp’s evolving beliefs have estranged him from his congregation, but he pins his hopes on his young son.
February 9, 2012 Same Sun Here, a new middle-grade novel by Silas House and Neela Vaswani, examines what happens when people find a way to overcome social barriers and make a real connection to another person—no matter how “other” the other may seem. In the process, the authors suggest, they might find that the things which unite them—love for family, dreams for the future, and a belief in the necessity of justice and compassion for all—are greater than the circumstances which separate them.
Writers are always looking for the perfect word, the perfect sentence. Put a bunch of writers together for a little while and you’ll most likely hear one of them declare, “I love that word,” in response to something someone has uttered. Words have power. Words mean something. Words live and breathe. But what happens when the perfect word is one that you do not want to use?
