Book Reviews

January 4, 2012 Michael Sims’s new collection of Victorian detective stories, The Dead Witness, is a cornucopia of dastardly delights and surprises. Watching the characters patiently unravel knots and ingeniously solve puzzles provides the delight. The surprises are the depth and breadth of variety represented in Sims’s overview of the genre. Humor and pathos, moralism and mercy, parody and tragedy, horror and retribution—the full spectrum of the human psyche is on display in this collection. The international cast of characters features authors and protagonists alike from England, Scotland, Australia, Canada, France, and the United States. They include a mild-mannered Catholic priest and a tough-talking Virginian, a folksy Canadian tracker and a wide-eyed teenaged boy, brothers and sisters, husbands and wives, a blind man, a Musketeer, a bumbler, a dilettante, and, of course, that curiously observant Englishman with a penchant for violins and opium.

November 28, 2011 As When She Woke opens, Hannah Payne is Hawthorne’s scarlet “A” incarnate: “When she woke, she was red. Not flushed, not sunburned, but the solid, declarative red of a stop sign.” In Hillary Jordan’s imaginary near-future, criminals are “chromed”—genetically modified to make their skin colors match their transgressions—and Hannah Payne’s crime begins with the letter A. Jordan will read from and sign copies of When She Woke on November 30 at 6 p.m. at The Booksellers at Laurelwood in Memphis.

November 21, 2011 In her new novel, Kingsport native Lisa Alther uses as a plot device the racial and familial intermarriage that was once common in the Appalachians. Combining the factual relevance of a history book with the intrigue and passion of a romance novel, Washed in the Blood follows the descendants of Diego Martin, a sixteenth-century hog drover abandoned by a Spanish expeditionary party. As centuries pass––and Spanish, English, Portuguese, African, and Native American blood becomes increasingly intermingled––successive generations of Martins struggle with notions of identity and the fickle nature of love.

November 15, 2011 Anthony Doerr’s theme is not subtle. His newest story collection, Memory Wall, opens with an epigraph: “Life without memory is no life at all.” The questions raised by the book—How can experience and emotion be preserved for the millions of anonymous, outwardly unremarkable souls who nevertheless strive to live meaningfully? Are we doomed to be erased? What makes memory, and where does it reside?—loom over this haunting and entrancing collection of tales. On November 17 at 7 p.m., Anthony Doerr will read from his work in Buttrick Hall on the Vanderbilt University campus in Nashville. The event is free and open to the public.