May 12, 2011 Progressive country music star Steve Earle’s debut novel, I’ll Never Get Out of This World Alive, is a somber tale featuring no less than the ghost of the great Hank Williams Sr. (The title is borrowed from one of Hank’s hit songs.) In this tale of addiction and redemption, released concurrently with an album of the same name, Earle almost certainly draws from the depths of his own darkest days in creating the tragic figure of Doc, a physician turned morphine addict. But one of several surprises in this accomplished first novel is the fact that it is neither a thinly disguised autobiography, nor a musician’s tale.

May 11, 2011 Michael Wallis’s new biography, David Crockett: The Lion of the West, is full of the kind of information that every Tennessean should know but has likely never learned—including, for example, the fact that Crockett was an adventurer, patriot, and politician who used his fame to oppose the policies of Tennessee’s other larger-than-life personality, Andrew Jackson. Crockett was a complex man given to strong drink and an even stronger sense of honor, and by the end of his life he was fighting for control of his own legend. So, please, don’t call him Davy.

May 10, 2011 Library shelves are heavy with testimonials to the value of literature: more recently, Harold Bloom’s The Western Canon and How to Read and Why, or, for the previous generation, the works of Northrop Frye or Charles Van Doren, to name only a few. Arnold Weinstein’s Morning, Noon, and Night deviates from the formula chiefly by steering away from pedagogical sermons and, instead, inviting its readers to examine themselves through life’s stages—growing up and growing old; innocence and experience; love and death—with a verve and generosity atypical of literary criticism. In fact, it’s almost unfair to call Morning, Noon, and Night a work of criticism; it stands more as an act of interpretive advocacy.

May 9, 2011 In the introduction to his new book, Dirty South, Ben Westhoff outlines the New York origins of rap, its transformation into a unique West Coast style, and the deadly rivalries that created real body counts between the warring factions. But the real focus of Dirty South is the rise of a third front that finds artists and groups from below the Mason-Dixon Line dominating the charts and soaking up the spotlights. It’s a style that emphasizes danceable bass and favors grunts and chants over metaphor-heavy lyrics. More than just a music book, Dirty South is an exploration of the racism, poverty, joie de vivre, and pride that are all a part of the art and lives of some of the biggest rap artists in the South and the world. Along the way, Westhoff plays equal parts flatfoot reporter and gonzo journalist, immersing himself—and his readers—in a culture that is as vibrant and provocative as the music it’s become known for. Westhoff will discuss Dirty South at DK Booksellers in Memphis on May 9 at 6 p.m.