A good whodunit doesn’t take itself too seriously, and Cherie Priest’s Flight Risk hits a sweet spot between Murder, She Wrote and Gone Girl.
Read moreCome Fly with Me
Flight Risk is about as fun as a murder mystery can be
Flight Risk is about as fun as a murder mystery can be
A good whodunit doesn’t take itself too seriously, and Cherie Priest’s Flight Risk hits a sweet spot between Murder, She Wrote and Gone Girl.
Read moreMaking Our Future offers visionary folklore of Appalachia
In her book Making Our Future: Visionary Folklore and Everyday Culture in Appalachia, Emily Hilliard presents what she calls “visionary folklore,” sidestepping nostalgia in favor of a cooperative approach that catalogs traditions while seeking to identify and participate in new cultural practices. Hilliard will appear at Vinyl Tap in Nashville on January 21 and Union Ave. Books in Knoxville on January 22.
Read moreJeannette Brown’s The Illusion of Leaving follows its protagonist home to face her past
FROM THE CHAPTER 16 ARCHIVE: In Jeannette Brown’s The Illusion of Leaving, Jamie Wright leaves Silver Falls, Texas, gladly kicking the dust from her boots. But when her father’s impending death calls her back, Jamie must face her difficult past to imagine a different future. Jeannette Brown will take part in an author discussion, “Be the Final Writer,” at Union Ave. Books in Knoxville on January 17.
Read moreA young girl connects with poetry during difficult times
Caroline Brooks DuBois’ second middle-grade novel tackles the healing power of poetry amid loss and destruction. DuBois will appear at Parnassus Books in Nashville on January 21.
Read moreA young woman learns to fight for her adopted hometown in Moonrise Over New Jessup
In Jamila Minnicks’ debut novel, Moonrise Over New Jessup, Alice Young takes on a new life of love and tangled loyalties in an all-Black Alabama town embroiled in the escalating fight over desegregation.
Read moreThe year was 1966, and two icons came to honor Fisk University’s centennial
We had seen Poitier’s most recent movie, A Patch of Blue, and we understood — how could we not? — the cultural relevance of his career. In films like Lilies of the Field, A Raisin in the Sun, and now his latest, Poitier embodied a reality he thought America must see: a Black man of dignity and strength.
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