Healing the Mother Wound
Sarai Johnson’s debut novel, Grown Women, is an eloquent story of multiple generations of Black women navigating their lives against a nonlinear backdrop of American motherhood.
Sarai Johnson’s debut novel, Grown Women, is an eloquent story of multiple generations of Black women navigating their lives against a nonlinear backdrop of American motherhood.
With her debut novel, Lo Fi, Liz Riggs proves that Nashville can hold its own along with New York, L.A., or Boston when it comes to locales where young artists go to find themselves. Riggs will discuss Lo Fi at Parnassus Books in Nashville on July 31.
Recently published debut poetry collections from Tara M. Stringfellow, Ben Groner III, and Stephanie Choi invite us into the particulars of their authors’ imaginative worlds.
Robyn Hitchcock’s memoir 1967 tells the story of a time, a place, a music — and how they fired his imagination. Hitchcock will appear at Parnassus Books in Nashville on July 18.
FROM THE CHAPTER 16 ARCHIVE: Alive at the End of the World is the latest apocalyptic collection of poetry from Memphis native Saeed Jones.
When novelist Jill Ciment was 17, she began a relationship with her art teacher, a married man 30 years her senior. Their love affair became a marriage that lasted until her husband’s death more than four decades later. Ciment wrote about their romance in her 1996 memoir, Half a Life. In a new book, Consent, Ciment reconsiders their story. Ciment will discuss the book with Ann Patchett at Parnassus Books in Nashville on June 27.