Luck or Something Like It: A Memoir
“Rogers is an exquisite storyteller, able to get across a range of ideas and emotions in songs like ‘Lucille’ and ‘The Gambler.’ That breezy, conversational tone comes across on the page.”
—Entertainment Weekly
“Rogers is an exquisite storyteller, able to get across a range of ideas and emotions in songs like ‘Lucille’ and ‘The Gambler.’ That breezy, conversational tone comes across on the page.”
—Entertainment Weekly
“With just the right mixture of humor and insight, compassion and incredulity, A Year of Biblical Womanhood is an exercise in scriptural exploration and spiritual contemplation. What does God truly expect of women, and is there really a prescription for biblical womanhood? Come along with Evans as she looks for answers in the rich heritage of biblical heroines, models of grace, and all-around women of valor.”
—From the publisher
“Ortiz Cofer has been illuminating the Puerto Rican community’s journeys back and forth between the Caribbean island and the U.S., between rural landscapes and urban landscape, and between Spanish and English.”
—Rigoberto Gonzalez
“In this compilation of stories and sweet treats, Patsy Caldwell and Amy Lyles Wilson peek in on those occasions special enough to demand something decadent, and memorable enough to be repeated time and again.”
—From the publisher
December 20, 2012 Another documentary about Damien Echols is set to open on Christmas Day: West of Memphis, which producer Peter Jackson has called “the most important film” he’s ever made. Meanwhile, Echols is still fighting for full exoneration, both for himself and for the other men convicted with him. This struggle for understanding is evident in the excruciating detail with which Echols writes about his time on death row. His emphasis on the torturous aspects of his experience (in both prison life and the poverty-wracked Southern childhood preceding it) is the aspect of the book that critics have most often highlighted in their reviews.
December 17, 2012 Twelve years into a new century, the U.S. is coming to grips with some hard truths: credit is finite, and our houses aren’t ATMs. We are less satisfied with our work, yet we work more and earn less. We are bombarded by advertisements and “news” that often obscures the facts. And our schools are training students for twenty-first-century jobs that may be outsourced overseas anyway. All in all, it’s a bleak picture, but Bill Ivey—writer, teacher, former chairman of the National Endowment for the Arts, principal in Global Cultural Strategies, and trustee of the Center for American Progress—believes we have the tools to create a post-consumerist society. He talks with Chapter 16 about Handmaking America: A Back-to-Basics Pathway to a Revitalized American Democracy, a new book that outlines his ambitious vision for a new era.