New work by Diann Blakely appears on The Chronicle of Higher Education’s website
Poet Diann Blakely, a graduate of both the University of the South and Vanderbilt University, begins this week on a great note: The Chronicle of Higher Education has just featured her poem “Dead Shrimp Blues” at its Arts & Academe blog. The poem is part of her collection-in-progress, Rain in Our Door, a series of “duets” with blues artist Robert Johnson.
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Marilyn Kallet discusses the art of translating Benjamin Péret’s great work of Surrealist poetry, The Big Game
July 13, 2011 Marilyn Kallet, Lindsay Young Professor of English at the University of Tennessee in Knoxville, has always been interested in Surrealism, but translating Benjamin Péret’s The Big Game has proven the most challenging—and most rewarding—of her forays. Kallet will read from the book on July 17 at 3 p.m. at Union Ave. Books in Knoxville. Also reading will be poets Jeff Daniel Marion and Donna Doyle.
Read moreBlas Falconer reads from his latest book in a podcast on the Poetry Foundation’s website
June 27, 2011 Puerto Rico’s first murder. The Battle of Nashville. A dress blooming in the ocean. These are the images Nashville poet Blas Falconer offers listeners during a 2008 reading at the Art Institute of Chicago. In the program Falconer reads from his latest book, A Question of Gravity and Light (Arizona University Press, 2007).
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June 16, 2011 Linda Parsons Marion is an editor at the University of Tennessee and the author of three poetry collections: Home Fires, Mother Land, and Bound. Marion’s work has appeared in journals such as The Georgia Review, Iowa Review, Shenandoah, Prairie Schooner, Nimrod, and Connecticut Review, as well as in many anthologies. She lives in Knoxville with her husband, poet Jeff Daniel Marion. Linda Parsons Marion will read from Bound at Union Ave. Books in Knoxville on June 19 at 3 p.m.
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It took a cancer diagnosis to cure poet Wilmer Mills of discouragement and malaise
June 8, 2011 For the past ten years or so it seems that all I think about and write about is Time, but something about learning that I have a form of liver cancer that is ultimately incurable has given me an amazing sense of clarity about the subject. I find myself standing on the back porch taking deep breaths, intoxicated by air and light and hope. Despite my bleak prognosis, I now see everything in front of me as a space of infinite possibility, within certain limitations, with a full and nourishing sense of Time.
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Charles Wright’s career has yielded a body of work that will long outlive its creator
June 7, 2011 In a career that spans forty-five years and includes twenty-some books of poetry and every major poetry prize, from the Pulitzer to the National Book Award, Charles Wright has kept his thematic lens remarkably focused. A typical poem begins with the speaker in his backyard, describing the landscape or the memory of a landscape, and the resulting metaphor then ignites a philosophical meditation, often concerning theological matters. For most poets, such thematic or stylistic repetition over the course of half a century would lead to unbearably boring poems. But Wright is in a class almost alone for his ability to make fresh, wildly inventive metaphors from the stuff of the everyday, natural world.
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