From Rights to Lives: The Evolution of the Black Freedom Struggle, a new anthology edited by historians Françoise N. Hamlin and Charles W. McKinney Jr., gives academics and lay people alike fresh ways to consider the Civil Rights Movement and Black Lives Matter.
In The Realms of Oblivion, Andrew Ross tells the history of the 19th-century South through the experience of the Davies family and the Black people who worked their land in both slavery and freedom.
Comprised of braided essays which use key pop-culture moments to weave together stories of triumph and personal exploration, Julian Randall’s The Dead Don’t Need Reminding unearths grief and deeply rooted family histories.
FROM THE CHAPTER 16 ARCHIVE: Frye Gaillard’s A Hard Rain pulls the reader into the 1960s, not just to witness its momentous events, but to feel its idealism and disenchantment. First published in 2018, A Hard Rain has recently been released in paperback and as an audiobook.
In My Black Country, Alice Randall outlines the inclination of Music Row institutions to discount Black writers and their insistence on erasure of Black artists, particularly women, in the genre. Randall will appear in Nashville at Parnassus Books on April 12 and at City Winery, as part of “An Evening with Black Opry,” on April 25.
Tennessee State University historian Michael Bertrand reflects on the complicated history of race, rock ‘n’ roll, and the South. Southern History Remixed compels readers to contemplate the meaning of our everyday actions, behaviors, and consumer choices — including the music we listen to.
