A Publication of Humanities Tennessee

The Legacy of an American Griot

Remembering Roots documents the enduring impact of Alex Haley’s Pulitzer Prize-winning book

Alex Haley’s Roots: The Saga of an American Family was published in August 1976. In his review for The New York Times, James Baldwin wrote that Haley’s book “suggests, with great power, how each of us, however unconsciously, can’t but be the vehicle of the history which has produced us.” Fifty years later, Baldwin’s take rings as true as ever. Haley’s fictionalized account of seven generations of his family, beginning with Kunta Kinte, a man abducted into the transatlantic slave trade, still resonates through American culture and beyond, inspiring many to explore and embrace their own family histories, even while some continue to resist Roots’ depiction of the brutality and racism that have shaped the United States.

Photo courtesy of Broadleaf Books

In Remembering Roots: How an American Classic Transformed the World, Lucas L. Johnson II sketches the history of Haley’s book and its TV adaptation, surveying their combined impact through commentary from scholars, genealogists, artists, and ordinary people from different walks of life. A former reporter for the Associated Press and the author of Finding the Good, Johnson is a Memphis native now based in Nashville. He answered questions from Chapter 16 by email.

Chapter 16: You note that Roots was named a state book by the Tennessee General Assembly in 2024, despite a political atmosphere that is hostile to frank discussions about race. What places the book beyond the ideological wrangling over “divisive concepts” and the like?

Lucas L. Johnson: In the case of what should place Roots beyond ideological wrangling, I refer to the sponsor of the “state book” legislation who called Roots a “masterpiece.” “In the final analysis, I believe it’s the most widely read work of any Tennessean ever published anywhere, and it did kind of change American culture,” said Rep. Gino Bulso. “So, there was no way to leave it off.” (Roots was one of 10 works the legislation cited.)

However, Knox County schools apparently don’t share the same sentiment about Roots. The school district recently pulled the novel from school shelves under Tennessee’s so-called Age-Appropriate Materials Act, citing a passage in the book’s 84th chapter which it determined was not “age appropriate” under Tennessee law.* The decision means the material can still be taught in classes but cannot be in libraries. And I hope that there will continue to be discussions about Roots, particularly in the classroom. Because it’s there that Roots’ key themes of family, identity, and resilience can be unpacked and overshadow the “ideological wrangling.” That’s my hope.

(*Editor’s note: This decision has now been reversed.)

Chapter 16: There are so many stories in Remembering Roots about the ways Haley’s book touched people’s lives. Do you have a favorite?

Johnson: You’re right, there are a lot of stories. I can’t say I have a favorite, but there is one that I reflect on maybe more than others when I think about the impact of Roots. It’s the one about the Florida school teacher who has read Roots four times. Now, mind you, Roots is a thick book, nearly 900 pages. So, the fact that she’s read it four times is saying something. But what I also like about her story is that she shared the book with her son, and it’s been an influence in his life. He will likely share it with his children. The story is an example of the generational impact of Roots, which in essence, is its legacy.

Chapter 16: You don’t shy away from describing the controversies around the accuracy of Roots and the charges of plagiarism. How do you personally reconcile the impact and popularity of the book with those issues?

Johnson: I believe in discussing the good and the bad. But I particularly wanted to address Roots’ controversies to provide some clarification. I wanted to make it clear that one of the plagiarism lawsuits was thrown out of court, and that Alex Haley’s attorneys believed he could have gotten the other thrown out as well. But according to a reliable source, he wanted to settle the latter suit because the miniseries Roots: The Next Generations was close to wrapping and he wanted to be on set, not in a courtroom.

As far as impact and popularity, Roots inspired people — of all races — to find out where they came from, a desire that still exists today through genealogical platforms like Ancestry and MyHeritage. It’s also still a part of pop culture, whether it be rapper Kendrick Lamar’s “King Kunta” or the mention of Roots in movies and television shows, like Ted Lasso.  Esteemed scholar Henry Louis Gates, Jr. talked about how watching the 1977 TV adaptation of Roots inspired his lifelong interest in genealogy and eventually helped lead to his popular PBS series Finding Your Roots. He also acknowledged scholarly doubts about some of Haley’s historical claims while still expressing admiration for Haley’s impact. In one lecture, Gates said that many scholars questioned whether Haley truly identified the exact Gambian village of his ancestors, but Gates added that Haley “went to his grave believing” he had found it, “and that’s good enough for me.”

Chapter 16: Roots arrived in a simpler, more cohesive media environment than we have now. Can you imagine any single book or miniseries having a similar cultural impact today?

 Johnson: It’s hard to imagine a single book or miniseries having quite the same unified cultural impact that Roots and the 1977 adaptation had. However, some modern works have come closest in pieces of what Roots accomplished. For instance, Black Panther had enormous cultural symbolism and identity resonance; When They See Us drove national discussion about race and criminal justice; and The Queen’s Gambit showed a streaming series can still become a broad shared phenomenon.

But none of these produced the same combination of mass simultaneous viewership, educational influence, emotional intensity, cross-racial national discussion, and long-term genealogical/social impact as Roots. That’s what makes Roots such a phenomenon, because 50 years after it was published, it’s still being talked about today. The same goes for its TV adaptation that aired in January 1977 and was watched by more than 130 million viewers. Many of those viewers are still alive — including myself — and continue to talk about Roots with their children and grandchildren. Who knows, 50 years from now, Roots may still be discussed.

Chapter 16: The tradition of oral history and storytelling is at the core of Roots, and Haley is sometimes referred to as a griot. In an increasingly digital world, how can we keep that profoundly human tradition alive?

Johnson: I believe it starts with our young people. It’s hard to pull them away from TikTok and video games. But maybe we can convince them to take a break from those things — if just for a little while — and sit down with Mom or Dad and ask questions about what it was like when they were growing up. And if that sparks interest, maybe they can move on to Grandma and Granddad. They may just discover something intriguing, something they didn’t expect, that makes them want to do a deeper dive into their family history — and find their roots. 

Maria Browning grew up in Erin and Nashville and now lives in White Bluff. Her work has appeared in GuernicaLos Angeles Review of BooksLiterary Hub, and The New York Times. She’s the editor of Chapter 16.

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